Interview by James Colt Harrison
Director Oliver
Stone is a modern day Renaissance man. Born in New York September 15, 1946,
Stone shot to the top of the Hollywood creative heap with his first Oscar® in
1979 for writing the drama “Midnight Express.” Later “Platoon” won Best
Director and Best Picture in 1986. “Born on the Fourth of July”(1989) garnered
8 nominations and won two Oscars®.
Now Warner Home Video is releasing Stone’s “The
Untold History of the United States, ” a ten-part Showtime Original Series on
blu-ray. The documentary looks back at human events that at the time went
under-reported, but that crucially shaped America’s unique and complex history
throughout the 20th century.
We talked with Stone at Warner Bros studio recently about his involvement with
‘The Untold History of the United States’ video release.
Q: How do you blend the businessman side of you
and the artistic?
Stone: “I think you can maintain two tracks. You
have to. That’s what this kind of film-making is about. You have to be aware of
your limitations. You’re like a general. You have to marshall your forces and
use them well. You have to integrate your cavalry and infantry all together. It
later comes down to the personal and the intimate. But you always have to have
the big picture, the general picture.”
Q: How did you put this series together?
Stone:
We used archive footage and reenactment. Wherever we used reenactment we put
that in. I don’t think we did it in bad taste.
Q: What is the difference in documenting
history as you do and in dramatizing history?
Stone: There is a huge difference. You have
actors, you have sets, a script. (What we have) is the archive footage. Peter
(Kuznick) is a historian and I’m a dramatist. I’m trying to take this book and
simplify it down to a formula that could work. I want to make documentaries
exciting. Some people say there’s too much going on and can’t follow it all.
Q: You’ve had so much success as a commercial
flilmmaker. What does doing a documentary do for you as an artist?
Stone: Living on a set where they manufacture
resolutions and what makes people feel good has its limitations. I want to get
back to the basic truths of life. There are too many movies being made with too
much violence, and it’s all unreal to me. I’m not saying don’t show violence,
but show it with authenticity.
Q: Your films have been subject to film
criticism, but also social political criticism, even when you do a project like
“The Untold History of the United States” that is built on facts rather than on
only your interpretation.
Stone: When I did “JFK” I reached a place where I
did not want to go back---I was radical and my critics were saying I was not to
be trusted and that I was making up things.
Q: Warner Bros is going to have a big new 50 year
commemorative ultimate collector’s edition release of your film JFK, starring Kevin Costner, Tommy Lee Jones, and Jack Lemmon. You always have had
controversy following your work. All your films may not have been blockbusters,
but they carried a certain amount of international buzz about them. The film
got eight Academy Award ® nominations and won Best Cinematography and Best
Editing.
Stone: “I felt the same thing on JFK. I thought it would be the end of me. The dialogue was very cerebral, there were enormous amounts of difficulty, text, screenplay, and it had a very complex edit. I didn’t think it would make it. I was amazed that it did. JFK was a huge hit around the world.”
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