By James Colt Harrison
Adapted from the Pulitzer Prize-winning play by
Tracy Letts, ”August: Osage County” has been trimmed by about an hour to fit
movie screens. Letts wrote the screenplay, so the film does not suffer from
it’s being sliced like a side of ham. It’s up to the actors to provide the ham,
and that they do in abundance.
Director John Wells has assembled a fine cast
of major stars who have been liberally sprinkled with Oscar® nominations for
previous films. Will lightning strike again? Possibly. With a cast consisting
of Meryl Streep, Julia Roberts, Chris Cooper, Juliette Lewis and Margo
Martindale, there is a good chance of getting one or two nominations this year.
Meryl Streep dominates the movie with her
character Violet Weston. She’s a drug addict, an alcoholic, and a cancer
victim. Her husband Beverly (Sam Shepard) hires an in-house caregiver for her
(Misty Upham) and then takes off and disappears. This motivates the rest of the
family to come together to find him. Beverly has had enough of his
dysfunctional family and especially his wife Violet. That sad state of affairs
prompts him to commit suicide. It’s the key event that motivates the story.
The entire family returns home to attend the
father’s funeral, and all hell breaks loose. The conflicts arise, and things
that should not be said are said, loudly and clearly. Daughter Barbara
Weston-Fordham (Julia Roberts) is on shakey grounds with her husband Bill
Fordham (Ewan McGregor), and the tension inside her explodes toward her mother
Violet. Mother and daughter never got along, and Barbara cannot tolerate her
mother’s drug addiction and vicious mouth.
At times the family squabbles are funny when
everybody goes at it. Streep plays the character who has the best lines, best
insults, and best scenery-chewing. She’s mean, she’s vitriolic, she’s funny,
and she’s a slovenly drunk all wrapped into one package. Streep loves to tackle
unusual characters in her films, and here she is a very unlikeable old sot. And
yet you cant help loving her for allowing her vulnerability to creep through
all that hate and venom. Sometimes she goes over the top like the despicable
organ player in “Phantom of the Opera,” and she gives us a little too much.
The best vignette in the film comes from the
wonderful character actress Margo Martindale. Her scene when she reveals an old
family secret is a gem. Ms Martindale portrays just enough strength and
fragility to make you weep.
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