Review
by James Colt Harrison
We
won’t pull any punches on this dreary film. It wins my choice as Worst Film of
the Year, hands down. The Disappearance
of Eleanor Rigby: Them is part of a trilogy as written by first-time
director Ned Benson. Perhaps if we’re lucky, it will be his only venture into
directing.
Benson
originally conceived the film as a three-parter called Him, Her and Them, each
part as seen through the eyes of James McAvoy and Jessica Chastain and then
rolling it all up into one lump of dough in Them.
It’s the story of the couple’s attempt to reclaim their lives after
something (what is never explained
until the end of the movie) tears them apart.
There
are massive holes in the plot as big as the Grand Canyon. For instance—and this
is not a spoiler--- in the very beginning of the film we see Chastain jumping
off a bridge in a suicide attempt. There is no motive, no build-up to the event
and therefore we are totally puzzled as to why she is doing it. Why, what caused
her to come to this point? Was she having a Bad Hair day? It is not explained
in the next scene or the next 10,000 scenes. The script is a bafflement of
innuendoes, mysterious silences and dialogue that doesn’t explain why either
McAvoy or Chastain signed on to do this movie. If anything, it will put the
nail into the coffin of their careers.
The
122 minutes of the film seem like four hours as there are massive pauses in the
dialogue, seemingly five minutes between each word spoken. By the time they
cough up their lines you have gotten in a good twenty minutes of a nap. It is
rumored movie mogul Harvey Weinstein cut the trilogy into the 122 minutes. He
would have been more charitable had he cut out all 122 minutes except for the
credits and ended up with an Orson Welles masterpiece with only the titles.
Ireland’s
Ciaran Hinds plays McAvoy’s successful restaurant-owner father. Mr. Hinds is a
fine actor and does what he can with his part of a man who is also giving up.
Perhaps he read the rest of the script.
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