History in the making |
Director: Ava Du Vernay
Studio: Harpo Films / Plan B/ Pathe
Cast: David Oyelowo, Tom Wiliknson, Tim Roth,
Carmen Ejogo, Oprah Winfrey, Martin Sheen, Giovanni Ribisi, Cuba Gooding, Jr.,
Niecy Nash, Dylan Baker, Common, Allessandro Nivola, Nigel Thatch, Henry G.
Sanders
Review by James Colt
Harrison
Many movie-goers today were not around during
the hullabaloo taking place during the U.S. Civil Rights Movement in the 1960s.
So,Selma is a good history lesson for
both blacks and whites to see. This excellent film from director Vernay should
wake everybody up about how unfairly our very own citizens were treated.
Yes, the whole story has been shown on TV, been
written about in hundreds of books, and principals in the movement have been
interviewed countless times over the years. But until now, nobody has captured
on film the struggle of Martin Luther King (Oyelowo) and his fellow activists
to bring about justice for African-Americans in the South and in all of the
United States.
King was a peaceful man, but he was determined
to correct the injustices laid upon “his people” during a dark period of US
history. He organized “sit-ins” and marches to draw attention to the cause. He
was met with violence and vicious confrontations by the whites in power at the
police departments and other government officials. Tim Roth, a terrific actor
on any account, once again plays a vivid character who is allegedly Governor
Wallace. He’ll not put up with any shenanigans by the marching black folk. Once
again their rights have been taken away. When Oprah Winfrey’s character
attempts to register to vote, she is
foiled by rules made up on the spot. This was just an example of the
injustices that were an everyday occurrence.
King visits the Oval Office and pleads with
President Lyndon Johnson to pass the Voting Rights Act of 1965. The two have
strong words for each other. At first Johnson is reluctant to back any
voting-rights legislation because he has bigger fish to fry. Actor Tom Wilkinson,
one of the best character-stars in films, becomes Johnson complete with a Texas
accent, and we almost believe that it is the President. Wilkinson is so good at
what he does that he actually becomes the person he is playing. In Johnson’s
address to Congress, Wilkinson shows empathy for the cause and is sincere in
his portrayal.
Although the surviving King family did not give
the filmmakers permission to use any actual copyrighted King speeches, the
film’s screenwriters have done a superb job in capturing King’s passion and
nuances. Paul Webb’s script is so well-written that all of Oyelowo’s speeches
sound as if King had written them.
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