by Paola Hornbuckle
Adrian Holmes is a photographer from Toronto, Canada with extensive experience and a love for the female form which he portrays in various dramatic poses. His models are tall, slim and limber and seem to blend into the background. His photographs capture a serious tone replete with darkness and shadows, full of sensuality and depth that evoke strong emotion. In this interview he tries to gives us a glimpse into what motivates and inspires him.
Adrian Holmes is a photographer from Toronto, Canada with extensive experience and a love for the female form which he portrays in various dramatic poses. His models are tall, slim and limber and seem to blend into the background. His photographs capture a serious tone replete with darkness and shadows, full of sensuality and depth that evoke strong emotion. In this interview he tries to gives us a glimpse into what motivates and inspires him.
AH: Great question. Hard to answer. I guess it’s as a result
of needing to create and express myself. For me, photography seems to be my way
of doing so. I’m kind of shy so public speaking is a no go, I’m not great with
paint and I’m a terrible dancer.
As far as what I love
about photography as a medium for expression. I love the way light and shadow
play on a subject. I love creating something that provokes an emotion in
me and the viewer. It’s an incredible thing to create something that never
existed before.
ANF: How do you go about choosing the locale or setting?
AH: I’m very interested in architecture and interior design.
I find it interesting to combine artistic portraits with spaces. I make notes
and take pics with my iPhone as I travel around the city etc... Later when I
feel the urge to start a new project I refer back to my list. I go online to
find images of the spaces then try to visit the spaces and do a site inspection
then beg and plead with the owners to allow me to shoot. I select the location
depending on the mood of the project.
ANF: Models seem to blend into the surroundings...
AH: In many cases, the environment is almost as
important to me as the model. The surroundings are very much a part of the
message I’m try to convey or the story I’m trying to tell. I try to light or at
least control the light in such away as not make my subjects “pop” rather
have them be a part of the environment. I have a much different approach to studio
shoots.
AH: When I’m looking for a model for a particular project I
pre-visualize the end result and try to find a model that fits that mental
picture. I look through their portfolios and the thing I look for first is a
sense of grace and fluidity in their movement or poses. I love to see candids
or behind the scenes images because you get a glimpse of their
personalities. I’m a very low key easy going guy and work well with people who
don’t take themselves so seriously
ANF: Any advice for up and coming photographers?
Yes…Just to qualify what I’m about to say…..a photographer to me
is someone who has devoted their life to photography. If you have 10,000 posts
on Instagram and have a million likes your’e not a photographer. Your’e a
master of taking “snaps”….Is that harsh?
If you put anything
before your art you are not an artist. You can be a practicing Doctor, Lawyer
or work at Best Buy in the local mall and still be a great photographer if the
art is your driving force, the thing you can’t do without….be honest with
yourself ask yourself, “ Do I have to be a photographer?"
If the answer is maybe and maybe I can do something else as well, or you’re not
sure, then you’ll never realize your full potential as a
photographer/artist.
Being a great
photographer is not about the equipment you have, it’s about what’s inside of
you. You must have a passion for photography…. gear is something you can
borrow, rent or buy. Technical knowhow is something you can take a course in or
get from YouTube. Passion is something you must have in order to succeed.
Be humble, you’ll never
know it all. It doesn't matter if you’ve just started or are a seasoned
pro that teaches workshops, learn to accept critique and learn. The
journey never ends.
Study images from the
past and present in any medium. Dissect photographs and paintings; analyze
the lighting, composition, textures and mood. Study light in the world around
you. Study the light coming through your window in the morning, the
light from that annoying florescent bulb in your buddy’s kitchen, study movies,
documentaries and cinematography. Be a
student of light. The following lesson took a while for me to learn :( Don’t
chase money. Create, exhibit and network. The rest will come.
Lastly, a quote from
Annie Liebovitz “ When you learn to trust your own point of view,
that’s when you really start making pictures”
CLICK HERE to see more of Adrian's work!
CLICK HERE to see more of Adrian's work!
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